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Known as The Brick, manufactured in the United States where it sold many thousands. Solid, durable and very ugly.

The Retina series evolved and continued for many years, gaining accessories, until it reached a Retina Reflex in the 1950s.

A unique design, it launched the Rapid system, with 35mm film, which uses two reels and allows partially exposed film to be removed.

Considered by many to be the most beautiful camera ever produced. True or not, there is a copy of it in the Metropolitan Museum of Art.

The first 35mm monoreflex to make history. It has an extensive line of optics produced by many different manufacturers. This copy of the collection is much more recent, from 1951. The general appearance is the same but it has several improvements.

All-metal for stereo photos in 45×107 format on glass plates. With a magazine that allows you to load 12 plates. Aperture and speed adjustment but with fixed focus.

It’s a good camera, even better than its contemporary the Rolleiflex. But the synonym and future of this category, of TLRs, would be the Rolleiflex.

Developed and manufactured at the German subsidiary in Stuttgart, in addition to being a very beautiful and well-built camera, it was with it that Kodak launched 135 film, which is 35mm film already in a cartridge and ready to be loaded into the camera even in the clear,

Predecessor of the famous Kine Exakta for 35mm film launched 3 years later. Examples in the collection are already from the B model, which added slow speeds and was launched a little later in 1935.

The beginning of a legend. One of the most cult cameras in the history of photography. Extremely reliable and precise, a delight to use.

Leica standardized the lens mount and thus began developing a line of very high quality lenses as a way of compensating for the small size of the 24x36mm negative.