Dry Plates | Richard Maddox
Development of the first photographic emulsions using gelatine as a suspension medium. This paved the way for industrial production to replace the handmade production of photographic media.
Development of the first photographic emulsions using gelatine as a suspension medium. This paved the way for industrial production to replace the handmade production of photographic media.
In Munich, at the same time as Dallmeyer launched the Rapid Rectilinear in London, Steinheil launched the Aplanat, with exactly the same concept of two symmetrical doublets.
Article with a brief history of the Lerebours et Secrétan house as an example of the transformations brought about by the bourgeois and scientific revolution in new forms of social ascension.
History of the development of the Daguerreotype from the Niépce/Daguerre collaboration to the French government’s purchase of the invention and its donation to the whole world.
Uma câmera hibrida, no sentido de que podia usar filme em rolo, no caso o 122, mas vinha também com vidro despolido e chassis para placas de vidro no formato 9x14cm
The book discusses vernacular photography as photography that was not intended as a work of art. It includes amateur photography by ordinary people, but also professional photography with a utilitarian purpose.
It’s a good reference book to have and flick through, but don’t expect any new points of view or depth on any topic, as the scope is from 1939 to the 1990s. Although small in size, with 760 pages, it is very well printed and very rich in the images chosen to illustrate it.
An excellent inventory of the techniques and tools used to understand and produce naturalistic images. It starts with linear perspective and goes up to the invention of photography and also a discussion of color.
A book with a collection of founding texts from the history of photography. It seems that everything that was important is inside.
This is a book that covers both the historical and practical aspects for anyone who wants to try printing using one of these two processes, albumen or salted paper. It is very detailed and well written.
A book rich in information about lives and periods in the history of photography. The analysis is poor and dated. It assumes that all human motivations, including their relationship with photography, are economic and aimed at social ascension.
How photography and painting divided the universe of images is the subject of this book. It’s common to find references to inflammatory positions that saw photography as a great threat to the arts. But this book shows us another side: how many renowned artists, with greater or lesser awareness, have used photography, or a photographic gaze, in their productions.